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Gunn’s letters are a primer not only on literature (he taught a rigorous class at U.C. One’s experience of Gunn’s poetry-which is, by turns, conversational, formal, and metaphysical, and often all three at once-is deeply enhanced by the life one discovers in “The Letters of Thom Gunn” (expertly co-edited by Michael Nott-who provides a heartfelt and knowledgeable introduction-and Gunn’s close friends the poets August Kleinzahler and Clive Wilmer). So things are working out very well: it is really, I realize, the way of living I’ve wanted for the last 6 years or so.” “I have cooked for 12 several times already. . . . “Three or four times a week someone cooks for the whole house and guests,” Gunn wrote to a friend not long after moving in.
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In his queer home, Gunn, who is best known for his profound 1992 collection “The Man with Night Sweats,” a series of meditations on the impact of AIDS on his community, established a discipline of care that was a source of stability and comfort to him during the seismic changes in gay life that occurred during his years there. It was purchased in part with a Guggenheim grant that Gunn received in 1971, and he shared it with his long-term partner, the theatre artist Mike Kitay, and various of their respective lovers and friends. The Victorian house, in the Upper Haight neighborhood of San Francisco, where the British-born poet Thom Gunn lived for more than thirty years and where he died, in 2004, at the age of seventy-four, is as pretty as all the other houses on Cole Street. This content can also be viewed on the site it originates from.